My particular reason for participating in the cultural boycott of Israel is that, first of all, I can; I'm a writer, a novelist, and I produce works that are, as a rule, presented to the international market. This gives me a small extra degree of power over that which I possess as a (UK) citizen and a consumer. Secondly, where possible when trying to make a point, one ought to be precise, and hit where it hurts. The sports boycott of South Africa when it was still run by the racist apartheid regime helped to bring the country to its senses because the ruling Afrikaaner minority put so much store in their sporting prowess. Rugby and cricket in particular mattered to them profoundly, and their teams' generally elevated position in the international league tables was a matter of considerable pride. When they were eventually isolated by the sporting boycott – as part of the wider cultural and trade boycott – they were forced that much more persuasively to confront their own outlaw status in the world.
A sporting boycott of Israel would make relatively little difference to the self-esteem of Israelis in comparison to South Africa; an intellectual and cultural one might help make all the difference, especially now that the events of the Arab spring and the continuing repercussions of the attack on the Gaza-bound flotilla peace convoy have threatened both Israel's ability to rely on Egypt's collusion in the containment of Gaza, andTurkey's willingness to engage sympathetically with the Israeli regime at all. Feeling increasingly isolated, Israel is all the more vulnerable to further evidence that it, in turn, like the racist South African regime it once supported and collaborated with, is increasingly regarded as an outlaw state.